What is style? Written Words continues to explore the issue of style among independent authors. This time, I’ve asked historical novelist Zoe Saadia to weigh in.
My main goal is to present pre-contact Americas to the wide audience of readers, to make people discover and enjoy these neglected cultures and periods.
For some reason, historical novelists paid no attention to such large chunk of history, while doing to death all those well familiar times and places. Rome and Greece, Medieval Europe, Stuarts and Tudors and the Regency’s sparkling balls and receptions, all those and more have tomes of wonderful historical fiction to represent them, plenty of movies to fill our screens; while two large continents prior to their “discovery” seem to have no history at all — judging by the historical fiction genre, that is. Their conquest is well covered, and the post-conquest times, but what was there before?
Well, fifteen years of research had shown me that there were many fascinating things to find in pre-contact Americas, many different cultures, ways of life, upheavals and revolutions, empires rising and falling, democracies being born. A wonderfully rich field for historical novelist, and so far untouched by others – what a treasure
So for now I have Central America covered with “Pre-Aztec” and “The Rise of the Aztecs” series, presenting the turbulent Mesoamerican history of the 14thand 15thcenturies and how the well-known (to us) “Aztec” Empire came to rise.
My North American books, the Peacemaker Trilogy, cover the process through which the great Iroquois confederacy was born — the famous democracy the constitution of which inspired quite a few clauses in the modern-day USA constitution (a fact admitted by the Founding Fathers in quite a few letters).
The initial research takes long, a few years and more, but as I write series, I use the already accumulated information for one novel for the next. This way the research and the writing advance alongside each other.
For example, when I was writing the novels of Pre-Aztec series, which are set in the capital of the regional power that preceded the familiar Aztec empire, I did not intend to write “The Rise of the Aztecs” series.
Yet, as the general story progressed along with the research, I found myself yearning to learn more. The cultural details of the daily life were already there, the people’s mentality, their attitude, their way of life. So, I checked and rechecked the facts outlining the events. Tthe conquered cultures are always more difficult to research, as the original documents get destroyed and the version of the past events reported to us by the conquerors is terribly distorted, coated with a thick layer of unashamed propaganda.
This way it was much easier to write the next series, with even some of the characters sneaking in, insisting on their own private history being developed beyond the general happy, or unhappy, previous ending.
My writing style is not a customary way of writing historical fiction. As I truly want to make a wide range of people discover the cultures I’m featuring in my novels, I write in a lighter style of action-adventures stories, as much for history lovers as for the enjoyment of a person who would not pick a history book given a choice.
So, while grounded in solid, well researched history, my stories are full of action, centered around all sorts of people, fictional and historical characters, behaving like regular men and women with feelings and desires of normal human beings all around the globe and in all times. Cultural values and technology aside, to my firm belief, people were always people, with their basic needs and ambitions, in Caesar’s Rome, Napoleon’s France, Moctezuma’s Tenochtitlan or modern-day New York City.
So, as I myself love fast-paced, easily flowing books to read, I make a point of writing my stories in this way, full of action, adventure and humor whenever possible.
I want to make people discover pre-contact Americas; to meet the fascinating nations and cultures that inhabited these lands, all those various different civilizations. I want to break the terribly wrong image the colonial books and records created, which Hollywood cemented later on with its terribly distorted Westerns. This is my main goal
Oh yes, it is a challenge. The cultural conceptions are, indeed, difficult to “translate” to our language, sometimes.
But then, it’s a very interesting, satisfying challenge — to make your characters likeable, understandable to the modern-day readers, while avoiding turning them into modern people dressed in costumes. There is nothing more irritating for me as a reader of historical fiction as running into a shallow historical novel full of modern-behaving characters.
To avoid that, good cultural research helps. To just sift through the heap of the historical records is not enough. One needs to understand the people one is writing about, sometimes by enlisting the help of the modern-day history enthusiasts from these areas, many times the descendents of the involved cultures. I’m very lucky to have many friends all over Mexico, people who help me understand the events I may have misinterpreted otherwise, people who even are teaching me Nahuatl, the original language of the Aztecs and the other local peoples, which is still very much in use all over the western Mexico.
This way the characters of my books behave naturally, making the readers sympathize with them and their action, even though some of these may not make sense according to our values.
My main idols are Colleen McCullough and James Clavell, both exceptional historical novelists, whose every book I reread many times. Each time, I learn about different times and cultures without noticing, while enjoying myself immensely. Both these authors made me realize the power of the historical fiction as opposed to the non-fictional historical accounts.
As for emulating, I suppose I tried to emulate them in the beginning, but today I think I developed my own style. Still, if likened to one of them, I would be extremely flattered.
I have trouble with over-descriptive writing style of many old-day classics.
No, I don’t think so. I found that a novel is a novel, that every story could, and in my opinion should, be full of action, with the fictional side coming ahead of the historical one. The historical and cultural backgrounds are very important, but the story itself is more so. The trick is to manage to keep this balance
Oh yes, I think they are.
For one, many people who don’t read historical fiction in general, seem to enjoy my books, appreciating the reader-friendly style of mine.
On the other hand, sometimes I get criticized by the hard-core history fans, who are expressing their doubts regarding the depth of the historical research behind my novels. To their opinion historical novel should be suitably heavy, full of excessive descriptions. Luckily, those are not many, not enough to make me start doubting my style.
I do want to reach many people, to make them learn history without noticing, while enjoying a good story, like a good historical fiction should do.
I think it’s very important. Especially today, with the television providing a serious competition, we have to keep up, not make it most enjoyable for the readers, easy to read and to lose yourself in the story.
Thank you so much for your fascinating knowledgable questions, Scott. I enjoyed myself immensely, answering them!