Independent book review: 5* for Ghost Star

Ghost Star is a rollicking good space opera for young readers. Anyone from reading age to mid-teens will enjoy it.


Nolo Bray, a member of the Ruam race from the planet Tac, is the most elusive smuggler the galaxy. The book opens as his ship, the Ghost Star is finally caught and boarded by the Lingering Death, a moon-sized cruiser of the Imperium, which is ruled by the monstrous Nell. The Nell are humanoid, but much bigger than Terrans and equipped with blade-like foreclaws on their wrists.

Only one crew member remains hidden in a locker. Galen Bray, Captain Nolo’s teenaged son, watches on video as Mohk kills his father and orders the execution of the rest of the crew. But he decides to keep Bray’s young daughter, Trem, alive as a prize to deliver to his commanders in the Nell home world.

Teenaged Galen waits until the Imperium marines leave the ship, then manages to frees the smuggler ship from its tether to the Lingering Death. He’s helped by one last robot, Hex, and by the AI of the Ghost Star, which has the personality of his long-deceased mother, Bartrice — something that he doesn’t appreciate at first.

But in escaping the Imperium, Galen flies too close to a real ghost star, or black hole. There, he finds an ability he didn’t know he had. Time slows for him, allowing him to guide the ship down a plasma tube, where he discovers a planet inhabited by the last remnant of his race, the Ruam.

Surprise follows surprise. His father was the last living Ruam lord, making Galen now a lord. The smuggler Ghost Star is actually a Ruam battle cruiser disguised with scarred outer plating. It was the Nell who started a war against the Ruam, killed their home world of Tac and wiped out almost the whole species.

The pace never lets up. Galen gathers a crew of Ruam on a mission to rescue his sister. However, they first have to find a device to keep their planet from falling into the black hole. Along the way, they visit the Ruam homeworld of Tac, and an artificial moon called Zed that’s a smugglers’ haven. Think the island of Tortuga from Pirates of the Caribbean, in space. It’s there that Galen finds his long-lost aunt, Eria.


This book has everything you want in a science-fiction adventure: lots of action, a fast-moving plot, hairsbreadth escapes and lovable characters. I have to admit, Hex is my favourite. Eschbacher manages to create a personality with the perfect combination of modesty, eagerness to help, and a bit of dry humour that keeps him from being obsequious.

Eria is a badass warrior intent on killing as many Nell as she can in order to save her niece. And Burr, the Ruam’s chief scientist, is a blast. I can absolutely picture him as my high-school physics teacher.

As the villain, Lord Mohk is perfect. Evil oozes out of his every word. He kills for pleasure, maims for discipline, sends thousands of his own soldiers into almost certain death in the hopes that some of them might be able to carry out his will.

The author

Eschbacher is a professional writer with a long career in children’s television. His style shows it: snappy dialogue, lots of humour, the right amount of sadness and a dash of teenaged hormones allow young readers to identify with the main character. Get to know more about Roger on his website and blog.

If you’re looking for a fun, fast-paced sci-fi adventure, or know a young reader who is, get this book.



What book reviewers want: An interview with Janie Felix


Once again this week, Written Words turns the tables on the book reviewers by asking them questions. In this instalment, Janie Felix agreed to let us in on the secrets of book reviewing.

What genres do you review?

I review most all genres — whatever I read, because I find it helpful when I read others reviews.

I like mystery/police/ action genres.  They challenge my mind, hold my interest and allow for escape from normal life.  I like some romance, but not ” bodice ripper” types.  I like reality in romances, not necessarily happily ever after … realism.  I enjoy some sci-fi if it is relatable.

What do you look for in a book that you review?

What I look for in books is believable character development by the author.  I like surprise twists.  I also look for good beta reading (I really hate misspelled words, poor grammar and bad syntax.)  When I find an author whose style I enjoy, I veraciously read their books.

What is the worst mistake that an author can make in a book?

The worst mistake and author can make: boring, long convoluted explanations by a character.  And shabby proofreaders.

What is the worst mistake in your opinion that an author can make when trying to promote a book?

Promoting a book can be tricky. I’m not sure I dislike most book promotions. I really LIKE when an author of e-books offer their first one free. Very often if I like their style or characters, I will continue to follow them and buy more just by the “credit ” of their name alone.

Which is more important to you: the plot/story, characters, or the writer’s style?

Characterization is probably the most important part of a book for me.  If the characters become real, you can put them in most any plot and they survive.  ‘Course that all goes back to the author. So it is circular.

Name a classic book in the genre you favour most that you think today’s writers should aspire to equal.

The Stand is a book with great characters the writers can aspire to.

Desert island question: name three record albums you would take with you if you were stranded on the island from Lost (where they had vinyl records and diamond-stylus record players).

Albums: David Brubeck’s Take Five,  the 1812 Overture or any Tchaikovsky work and anything by James Taylor.

All about Janie

 IMG_1051Janie has been married for 52 years to her best friend, Gary. She is a mom of four a grandmom of seven, a Wiccan High Priestess, a clinical herbalist and an avid reader.  She is 72 years young and loves to quilt, preserve what her husband grows and teach others about her knowledge of Wicca and herbs. 

What do writers like about writing? Raine Thomas and Stephen Woodfin share some surprises

Today, Written Words presents two very different writers who answer the same questions about what they like and dislike about being an author.

Raine Thomas writes young adult and new adult romance and science fiction. Stephen Woodfin writes action thrillers and political thrillers. While they have some understandable differences in perspective, the similarities may surprise you.

Which element of fiction is most important to you as a writer?

Raine Thomas Headshot (small)Raine Thomas: There’s no denying the importance of all of these elements, but I think I’d fall under the “other” category. To me, dialogue is the most important element of fiction. It’s something readers may not notice if it’s done well, but if it’s done poorly, it will ruin the story. Think about what writers convey through dialogue and dialogue tags: tone, emotion, body language, dialect, education level, geography/region, time period, actions. Nearly every other element of fiction writing can be captured with properly written dialogue.

Stephen Woodfin: I would have to say that plot comes first for me, but action is neck and neck with it. I hope to keep things moving while I tell the story.

What part of writing do you spend the most time on: research, writing, editing, making coffee or cleaning your work space?

Raine Thomas: Definitely research. I’m a plotter, so I create detailed character sketches for all of the main characters and then complete a chapter-by-chapter outline in addition to the intense world building I do for projects like my fantasy, Sci-Fi, and futuristic novels. Once I finish that, the writing is quick and smooth and my wonderful alpha and beta readers make editing a breeze!

Stephen Woodfin: Definitely writing. My approach is to race all the way to the end of book before I look back. The editing process for me consists of filling in holes in the plot. I can usually do that with an extra sentence or two here and there.

Which of these do you enjoy most?

Raine Thomas: I’d say the actual writing. That’s when I can really get into my characters’ heads and infuse my voice into the story.

Stephen Woodfin: Writing. Hands down.Stephen Woodfin author pic beach

What do you wish you had to do less?

Raine Thomas: I have a full-time job, so I wish I had to work less on that so I could write more. I enjoy all of the elements of publishing books.

Stephen Woodfin: The proof reading part of editing is just torture, plain and simple.

Which of your books or other works are you personally happiest with? Why?

Raine Thomas: Up until now, I’d say my New Adult Contemporary Romance For Everly has pleased me the most. It was something new for me at the time and turned out to be my most well-read book. The story concept is personal to me, so it means so much that readers enjoy it!

Stephen Woodfin: My personal favorite is The Warrior with Alzheimer’s: The Battle for Justice. I call it “the Woody book” because the main character is a WWII vet named Woody Wilson. My father was a Battle of the Bulge vet, and my mother died of Alzheimer’s. So that book has many connections to my soul. I was also honored to have Kirkus Reviews name it one of the Best Books of 2013.

What part of writing or publishing do you think you could help other writers with?

Raine Thomas: If I had time, I’d best be able to help other writers with their editing. I do this on occasion now (I used to do it for a living) but my time is so limited between my full-time job, my writing, and my family that I hardly have any time to spare for beta reading and editing.

Stephen Woodfin: If I met them at an early enough stage, I might be able to talk them out of the whole enterprise.

Thank you, Stephen and Raine.

Stephen Woodfin is an attorney and author of eight novels. He also blogs for the popular Internet site Venture Galleries.

Stephen’s novel Last One Chosen, the first book in his Revelation Trilogy, received the prestigious Top Five Finalist Award for best independent book of 2012 in the thriller genre.   The second and third books of the trilogy explore the bizarre intersection of faith and politics in American life.

Because he has long been an advocate for persons with Alzheimer’s disease, he has also written about that dread scourge. His book The Warrior with Alzheimer’s: The Battle for Justice was named one of the Best Books of 2013 by Kirkus Reviews. 

Visit Stephen’s Amazon author page for more information about his books.

Raine Thomas is the award-winning author of bestselling Young Adult and New Adult fiction. Known for character-driven stories that inspire the imagination, Raine has signed with multiple award-winning producer Chase Chenowith of Back Fence Productions to bring her popular Daughters of Saraqael trilogy to the big screen. She’s a proud indie author who is living the dream.

When she isn’t writing or glued to e-mail or social networking sites, Raine can usually be found vacationing with her husband and daughter on one of Florida’s beautiful beaches or crossing the border to visit with her Canadian friends and relatives.

Visit her website and Amazon Author page, or follow her on:

Hand me my sword! A female writer’s thoughts on writing fantasy

Guest post by author M.A. Chiappetta

If you look at the list of fantasy and science fiction authors from the past 50 to 75 years, a majority of those names belong to men. Take, for example, NPR’s list of Top 100 SFF books—85 of those books were written by men. 85 percent!

As you can guess, being a female writer in a world once dominated by men is sometimes a strange place to be. But I wouldn’t change it for anything. I love being a woman who writes fantasy. And that will never change. It doesn’t matter if it’s hard.

You see, the realm of speculative fiction—science fiction, fantasy, horror, magical realism—is filled with possibilities. It’s a place where magic is real…where you can fly to the moon or Mars. Real-life boundaries like the law of gravity can be bent, changed, or defied. Anything is possible.

As a child, I fell in love with fantasy (and to a lesser degree, science fiction)—not only because it introduced me to a view of the world as more wondrous than everyday reality, but also because it reminded me that despite appearances, anyone could end up a hero. You could start out as a poor assistant pig-keeper, yet you could grow up to be High King of Prydain. You could begin as an orphaned girl struggling just to stay alive and end up a dragonrider and Weyrwoman.

Who wouldn’t want that?

And so, I write fantasy now because I remember the enchantment of believing that I could not only achieve great things, but that I could be heroic doing it. I could do something good in a world that is often filled with bad things. That’s a message I believe in sharing.

I do this knowing that there are a lot of people in the world who have problems with women. There is still a significant portion of the reading audience that says: “A woman wrote that? Well, I won’t buy it then. I won’t like it.” It’s a prejudice that doesn’t make a lot of sense. But it exists.

What, some women disagree with the
functionality of a chainmail bikini?

On top of that, there are some ugly stereotypes in the fantasy genre. There’s the “helpless pretty face”—the woman who can’t rescue herself because rescuing is a man’s work. There’s the Disney princess—whose life doesn’t have meaning unless there’s a Prince Charming (a man) around. There’s the chick in chainmail—the woman who wields a sword but does so in a metal bikini because she’s nothing more than eye candy. And there’s the “Strong Female Protagonist”—the girl who is so strong that she never needs anyone’s help.

The truth is that people­ are much more complicated than any of those stereotypes.

One of my goals as a writer is to make sure that all the characters in my stories—male, female, alien, dragon, other—all reflect the complicated traits that make people both maddening and lovable. It’s not easy to create characters who defy stereotypes. But I’m committed to making my character complex, because I think my readers deserve it. And frankly, so do my characters!

So, every day, I approach my writing boldly. I wield my pen as if it were a sword, determined to cut through the stereotypes and prejudices…as well as the self-doubts that plague all artists…and I go forth to write.

It’s a hero’s job, in its own way. And I’m glad to do it.

M.A. Chiappetta is a fantasy writer, copywriter, educator, and blogger with past publications in Blue ShiftScience Fiction and Fantasy Writer’s Chat, and Mensa Bulletin. Her most recent short stories are found in the anthology, Dark and Dangerous Things II, available on Amazon. She shares thoughts on writing at Purple Ink Writers and muses on creativity, SFF, laughter, God, and geekdom at The Chipper Muse. You can also find her on Twitter as @chippermuse.


Book launch: Inferno

Book 2 in The Drone Wars
by Frederick Lee Brooke

When 19-year-old Matt Carney saved his girlfriend, Raine, from the crossfire between the government’s increasingly ruthless Homeland Security and March22, a terrorist group taking steps to strike a new, legitimate path, he thought his work was done.

Was heever wrong.

Kidnapped by the brutal Dark Fiber militia, Matt is shocked to discover he’s been betrayed by those he trusted most. Stranded in an isolated location in the middle of Michigan, far away from the girl he fought so hard to regain, Matt is made March22’s point man in a plot to get control over a cache of thousands of stolen ground-to-air missiles. As time runs out, he’s their last—and best—hope of sparing the country of a heinous attack on commercial aviation that could quickly turn the United States into a permanent war zone.

In this action-packed, explosive follow-up to Saving Raine, the first book in Frederick Lee Brooke’s The Drone Wars, Matt Carney finds himself at the center of a firestorm of stolen missiles, stolen drones, and stolen dirty nukes, tormented by stinging betrayals, clinging to a last hope for love. Sure, he was able to save Raine—but as the inferno rages around him, can he find a way to save the country from further violent chaos…and a way to save himself?

Inferno is available on Amazon now.

About the author

Frederick Lee Brooke launched the Annie Ogden Mystery Series in 2011 with Doing Max Vinyl and followed with Zombie Candy in 2012, a book that is neither about zombies nor sweets. The third mystery in the series, Collateral Damage, appeared in 2013. Saving Raine, the first book in Fred’s entirely new series, The Drone Wars, appeared in December, 2013.
A resident of Switzerland, Fred has worked as a teacher, language school manager and school owner. He has three boys and two cats and recently had to learn how to operate both washing machine and dryer. He makes frequent trips back to his native Chicago.
When not writing or doing the washing, Fred can be found walking along the banks of the Rhine River, sitting in a local cafe, or visiting all the local pubs in search of his lost umbrella.

Independent novel review: Double Bind by Seb Kirby

“The guy with the bad attitude has been following me all week.”

Seb Kirby gets right into the story in Double Bind. There’s not a wasted word in this book: no background, no world-building, no nonsense. The writing is spare and clean, active yet evocative, told in first-person present tense, which enhances the action and immediacy.
Take this for an example: “Elmington Drive is a wealthy suburban street. Smart gardens, no parked cars, large houses, most with gravel drives and tall shrubs.”
Because he gives readers credit for knowing something, Kirby is able to painted a picture in a few phrases.
In short, Kirby is a true professional writer of fiction.
The story begins with the narrator, successful author Raymond Bridges, meeting his double at a book signing. The double accuses Bridges of stealing his face and identity — and his pen name. Soon, Bridges finds himself in a new body, victim of spreading ripples of identities displaced into new bodies. Double Bind is a science-fiction story presented like a mystery — not an easy assignment for any writer. Kirby has the skill to pull it off.
Kirby makes it all make sense by explaining the process and the science through the characters’ actions. Bridges, who becomes Erin Pascoe (that’s a man’s name in the UK, apparently) gradually learns the details, like one of Raymond Chandler’s detectives.
Kirby makes his characters real through their words and actions more than through verbose descriptions. Bridges is actually not that likeable. He’s a liar, an imposter, someone more than willing to take shortcuts to get what he wants, no matter what they do to others.

Victoria Bletchley, Bridge’s love interest, is one of the most desirable and admirable women I’ve read in fiction lately. An English professor, she’s a long-legged looker, too. She loves “rutting” and reading, more or less in that order, and she’s smart. Even for an English professor.

Here’s my favourite passage featuring Victoria:

Strang [a cop] is sounding impatient … “Pascoe is a suspect in at least one, possibly two, murders. Keep stalling like this and you’ll leave me with no option but to take you in for obstruction of justice. That’s if I don’t arrest you as an accomplice to murder.” 

I’m wondering how Victoria is going to get out of this when she uses her contextualizing skills to great effect. “OK. I do porn. Looks like I’m well off, but this is my mother’s place and I have expensive tastes.”

Smart, sexy, beautiful, brave and able to think on the spot of something sure to throw a cop off his game — what more could anyone, even a writer, want in a woman?
All the characters are believable, especially the villains, who range from London gangsters to corporate types. Again, Kirby is able to evoke them clearly in the readers’ minds with a minimum of words.
All the way through (it’s not a long book), Kirby keeps us hooked with tantalizing clues and a style that you just cannot put down.
Double Bind may not be Kirby’s best-known book, but if you want a read that won’t let you go, that tells a good story well and doesn’t waste your time, download Double Bind now.
Seb Kirby’s website and blog

Steven Montano: shaking up the genres

An independent author interview

Most authors strive to stay within a genre, occasionally mixing horror with romance or science fiction with mystery and throwing in a love interest for good measure. I’ve never before come across an author who aggressively tosses as many different genres into the mix as Steven Montano, whose Blood Skies series mixes military science fiction, war, occult horror, modern vampires and witchcraft, and animates the mix with supernatural energy. I had to ask him about it.

Steve Montano has published five novels, two short stories and a novella, all set in his fantastic, futuristic and horrific future timeline called Blood Skies, or the World After the Black; he released his latest, Book Five in the series, The Witch’s Eye, just last week (launched on this blog, among others), and he’s hard at work on completing the projected seven-novel cycle.

It’s a demanding self-imposed challenge for a man who is also a full-time professional accountant, a husband and a father of two. On top of that, he blogs regularly and maintains a presence on all the social media.

I had to find out more about his creations and his creative process.

Blood Skies is set in a post-apocalyptic world, but the apocalypse is different from any other I have read: a change in the physical laws that lets magic work and makes once-imaginary creatures like vampires and warlocks real. What was the inspiration for this unique, dark vision?

The idea originally began as a steampunk vampire novel, but I quickly grew tired of trying to write steampunk and instead searched for a way to make it so I could write an “anything goes” world and have it seem believable. Since the single most dramatic change I could think of in regards to how the world worked involved the presence of magic, I started with the notion of a magical apocalypse, and just built on that. I’ve enjoyed developing the setting, as it basically allows me to include whatever “real world” elements I want and just make up the rest.


Is there any aspect of your world that you hope readers will recognize in the current one? In other words, are you sounding a warning about anything in particular, or is this just whimsy, total imagination?

I use real-world war events and military history as inspiration for some of the horrors depicted in Blood Skies, and the way that magic is simultaneously feared and relied upon could probably serve as a sort of metaphor for nuclear power, but for the most part I try to play things straight. Maintaining some semblance of realism is important — perhaps even more important when dealing with an entirely fantastical world — so even though my stories deal with vampires and magic and fictional civilizations, I try to keep the characters and the way they behave in their insane surroundings grounded in reality.


Your books feature a lot of characters, and are told from multiple points of view. Tell us more about your favourite characters.

That’s difficult, because I’m fond of all of my characters (even the secondary ones) in some form or another. Eric Cross has always been the primary protagonist in the series, but it seems that in every book I come up with a new character I’m partial to, which is usually why I end up extending the narrative and making it so I can tell some of the story from their POV. Danica Black, a former prison warden turned mercenary, has always been compelling to me because she’s more of an anti-hero than Eric, and she comes across as heartless even though she struggles with a dark and tragic past. Mike Kane, a prisoner turned soldier, is a relentless smart-ass who blends heroism with comic relief. Ronan, a swordsman and former assassin, is my “hitman with a heart of gold” character, whose incredibly warped sense of the world is put to the test in The Witch’s Eye when he inadvertently finds himself in the unlikely position of holding what’s left the team together once they’ve all scattered to the wind.

Do you base your characters on real people in your life? If so, are you one of them?

I don’t make my characters exact duplicates of anyone I know in real life, but of course I take aspects of different people’s personalities and blend them into these fictional people. It’s safer that way…if I tell someone I based a character on them, I have to listen to how I got them all wrong. ;D

There’s no question Eric is the most like me (poor guy), but even he and I have our differences. Many of Cross’s insecurities bear a striking resemblance to my own, and he’s the easiest for me to write in terms of knowing how he’ll behave in any given situation, because I feel like he and I are pretty much on the same wavelength. Cross makes his fair share of stupid moves every now and again; one of the reasons I like writing him is because I know I probably would have done the same thing, whereas with some other characters, I’d be tempted to change things up to make it more realistic.


How do you handle the challenge of writing from multiple points of view? What makes it hard, and what makes it possible, at all?

Aside from the prologue of Blood Skies, I actually didn’t start writing from a second POV until Book Three, when Cross’s disappearance mandated a new character take over as the eyes and ears for the readers. For me the trick is to keep it simple: if you’re writing from multiple POVs, be sure to make them different enough individuals that the reader never gets confused, and try to use them in such a fashion that it makes sense to switch perspective — i.e. you’re still advancing the story by switching characters, not just re-telling every event from multiple viewpoints.

Blood Skies is the name of both the series and the first novel in it. Did you have such a good experience with the first novel that you decided to expand it into a series, or did you envision a long story arc and plan all the installments in it, first?

The former. The original draft of Blood Skies was actually quite different from how things wound up. As I mentioned before, the first version had strong elements of steampunk, and it was only about half as long as the finished novel. The original draft also had no survivors, so it definitely wasn’t intended to be an ongoing series. ;D

But as I revised and prepared Blood Skies for publication in early 2011, I got hit with a number of ideas for potential sequels, and decided I wanted to leave things more open-ended. Then, just a month before I released the book, I had an avalanche of ideas for Black Scars, so in the end I was very happy I’d decided to give myself the option for writing Book Two and beyond.

Can you describe the story arc? Where are you so far, and where will the next four books go?

Blood Skies (the series) at a glance is about the war between the humans of the Southern Claw and the vampires of the dreaded Ebon Cities, but before long the story turns to humankind’s struggle to protect their world from the dark powers behind The Black, a cataclysmic event that transformed the world into the wastelands it has become.

Blood Skies introduces Eric Cross, the protagonist of the series, and establishes many of the rules of the setting. Black Scars introduces Danica Black and Mike Kane and shows the formation of Cross’s team of mercenaries. Books four to seven (Soulrazor, Crown of Ash, The Witch’s Eye and Chain of Shadows Parts One and Two) chronicle the team’s struggles against the forces behind the creation of The Black. The final three books in the series (Vampire Down, The Ending Dream and Darker Sunset) will deal with the aftermath of the struggle, and show how the team’s victory was anything but complete.

All of your books seem to feature many of the same elements: witchcraft, horror, vampires and a damaged, changing world. Are they all based in the same alternate time-line, or are they different tales, entirely?

I’ve always tried to push the idea that the World After the Black is a conglomerate of multiple realities: the shattered remnants of different worlds, realities, times, or planes of existence having all crashed together with Earth as the focal point. The truth is, no one really knows where most of the elements came from originally — Earth and all of its disparate parts have been forcefully fused into a new paradigm. Part of the reason I did this, honestly, was to enhance the horror of the situation, for it means the world that humans are trapped in is all but impossible to break down and understand.

Do you ever find elements from your novels or from your life as a novelist have an impact on your other identity, as an accountant?

I do wish I had an arcane spirit with me at work, if that’s what you mean. ;D But seriously, the only real effect I find is that I wish I was doing more writing than accounting. With luck, I can continue to move toward that goal.

Do you have plans for any other types of stories outside of the Blood Skies world, or the genre?

This year I plan to publish City of Scars, which I wrote a few years back, the first novel in my epic fantasy Skullborn series. I’ll also eventually publish another stand-alone horror novel called Blood Angel Rising, about a pair of hit-men tracking down a fallen angel. On top of that I’ve written dozens of horror and dark fantasy short stories which I should probably allow to see the light of day at some point.

What is your favourite type of book to read?

I like dark epic fantasy, military sci-fi, and some horror. I enjoy some paranormal romance and urban fantasy, though it has to be taken in short doses. I’m also a sucker for a good murder mystery.

Who would you say are your major influences as a writer?

To this day my biggest influences remain J.V. Jones, China Mieville, Clive Barker, Tanith Lee, John Marco, John Meaney and C.S. Friedman. I’ll eat up pretty much anything those authors write. In the Indie field I’m a huge fan of Michael Hicks, Jon F. Merz, Jen Kirchner, Alan Edwards, Mike Berry, Candice Bundy and that Bruce Blake guy.

If there was one thing about your published work that you could change, what would it be?

I hate that it took me so long to produce those books. ;D I also know my first novel wasn’t as crisply edited as some of my later work, a fact that I plan to remedy as soon as I have some spare time. I’ve toyed with the notion of releasing an Omnibus of the first three novels of the Blood Skies series, and I’ll doubtlessly re-edit the lot before I do that.

Thanks for having me, Scott!

Thank you for coming, Steven.

Steven Montano’s books are all available on Amazon. For a full list, visit his Amazon author page.

And don’t neglect visiting his website,, his blog, and grab the Ebon Cities Gazette.

Follow Steven on Twitter @Daezarkian