“This podcast is guaranteed”



door-to-doorSalesmanMy email inbox is getting crowded with a lot of surefire offers lately.

So many people offer online courses to help me learn marketing so I can sell more books. Here are some examples from my inbox.

  • Nick Stephenson’s Your First 10,000 Readers
  • Bryan Cohen Selling for Authors
  • Joanna Penn, the Creative Penn—three courses, including “How to Make a Living with your Writing”
  • Juliet Dillon Clark of the Winsome Media Group has a number of courses and packages on “building your author platform” and using that to increase sales, and on how to launch a new book
  • Mark Dawson has Advertising for Authors courses as well as shorter tutorials and lots of videos.

These are just some of the online courses targeted specifically at marketing for self-published authors. They join a huge list of similar online programs:

  • Ray Edwards offers the Copywriting Academy, a series of online seminars on writing effective advertising—not just for writers, but for any business.
  • Rebecca Dickson, once a professional editor with a spicy vocabulary (she edited a book of mine, Army of Worn Soles), has the Entrepreneur Incubator program
  • Wilco de Kreij teaches e-commerce
  • The most recent to my inbox is Joei Chan’s branding blog and courses.

They may have different names and slightly different foci, but they have a lot in common, too. They claim to have found a formula for increasing book sales. The blog posts contain a tip that I usually know, but mostly they’re long ads for the courses, webinars, videos, books or other materials that make the same promises: more book sales for independent authors.

There are often videos, some free, some behind pay walls. The free videos and free webinars, however, are usually more drawn-out ads for the courses. What’s most annoying about them is that they always promise a free, bonus, sure-fire tip, one thing you can do to boost your sales, or your email subscriptions or whatever, if you watch the whole thing to the end. Some have disabled the fast-forward function (I hate it when TV shows do that in their on-demand versions.) And most of the time, when I do watch till the end, it’s not worth the wait.

The course is the whole point of all this stuff. It’s presented like a university-level program with several hours of video, whiteboard animations, info-graphics and support materials like workbooks in .pdf format. There are often downloadable videos, too, to help you remember some of the information (I guess).

What’s wrong with that? you ask

I suppose these must work, because more people seem to be doing them all the time, and the people already doing them seem keep publishing their teaser videos.

They remind me of late-night infomercials, with some sketchy guy or overenthusiastic woman hawking a product that, even with good lighting and photography, looks too flimsy to last more than day if used for whatever the hawker tell us to use it for.

Or like a timeshare salesperson, with a sales pitch that promises you a free TV or car just for listening. And goes on and on and on…

They’re expensive, too

But the worst part is the cost. Joanna Penn’s Self-Publishing Success course is one of the most reasonable, at under $300. And for the time and materials, and if it actually delivers results, it might be worth it.

Nick Stephenson’s Your First 10,000 Readers is even more expensive, at about $80 a month for a year. Ryan Deiss’s Digital Marketer courses are just under $1000. Others don’t tell you how much they cost until you already agree to give them your email address.

Do they work?

The marketers tell us they do. And they all provide testimonials.

But I signed up for one—I won’t say which—and soon dropped it, because I already knew most of the content: write a good book, know your audience, stay focused; use email to engage readers, make sure you have a full “author’s platform,” meaning a blog, website and a presence on just about every social medium.

I’m in a quandary. I’d like to know the secrets to selling books, but I just don’t see anything from these courses that convinces me that the authors know, either.

What do you think?

What’s your experience, if any, with online courses or programs that guarantee you the ability to sell to strangers? Leave a comment.

Writing tips: What is style?



Creative Commons: dbdbrobot

I’ve been thinking a lot about writing style lately. Actually, I’ve thought a lot about it for a long time — as long as I’ve been writing, which is most of my life.

I find that my response to a book or to a writer, no matter what the subject is, depends a lot on style. I like an author who is original, who does not just try to copy a best-seller or the current trend in books you can pick up at the drug store.

But there is also something else that determines how well I like a story, something about the way the writer uses language.

I’ll give you an example: Margaret Atwood is generally accepted as one of today’s greatest writers. She has written a great many books in of a range of types — I am trying to avoid using the word “style” in different ways here — and, it could be argued, in different genres. Alias Grace could be called “historical fiction,” set in 19th century Upper Canada and based loosely on real events. The Handmaid’s Tale is a set in a dystopian future and, while it doesn’t have a lot of sci-fi tropes, it won the Arthur C. Clarke award for best science fiction.

Atwood is both accomplished and unarguably a master of the writing craft, but while she writes about many different subjects, there is something about her manner of writing that puts me off a little. The only word I can use to describe it is heavy. Her writing is heavy — I don’t read it quickly or easily; on the other hand, I can’t put it down once I start, either.

One writer whose style I really admire is Mark Helprin’s, particularly in his Winter’s Tale, a fantasy set in New York City. In addition to his ability to meld fantastic elements, humour and action into a setting simultaneously believable and fantastic, Helprin also manages to be very descriptive as well as economical with prose. It’s as good an example of magical realism as any I’ve ever read.

But what is it that determines the style? Word choice? Sentence length? Description? Active voice? Those are just a few items in the writer’s toolbox. Also critical are creating realistic, believable and interesting characters, pacing, mixing action and pathos and so much more.

The accepted good

There is a tension between popularity and what is accepted as “good writing” by the publishers and the leading literary critics of any time.

For instance, today, “good” writing is usually characterized by lean prose, active voice, realistic dialogue and sparse description. Writing coaches keep advising us to avoid adverbs in favour of more precise verbs, except when it comes to describing dialogue. We should only use “said,” and not try to change that around with “exclaimed,” or “replied.”

Crime novelist Elmore Leonard came out with ’s 10 rules of writing a couple of years ago; he admitted that he was at least a little facetious at the time, but now he says he seriously believes them. Okay. And Leonard is a great writer, and changed the literary world, and sells zillions of copies, okay, okay — but is he the arbiter of the English language, now? What if something happens in a sudden way? Elmore, what is wrong with the word “suddenly”?

The exemplars of great writing are still supposed to be Fitzgerald and Hemingway. I love their work, but again — should we all try to emulate their styles?

On the other side of that tension is writing that flies in the face of those rules, yet sells millions of copies. The current target of criticism is EL James’ Fifty Shades of Grey. Here’s a passage:

I watch José open the bottle of champagne. He’s tall, and in his jeans and T-shirt, he’s all shoulders and muscles, tanned skin, dark hair, and burning dark eyes.

Descriptive, yes. Also clichéd — it’s been done so many times. “Burning dark eyes”? While we can all imagine what those must look like, couldn’t the author have thought of something original?

And yet, millions of readers ate that up, burning eyes and all. Did the burning eyes cause heartburn, I wonder?

Description

Writing coaches also tell us not to use too much description. Hemingway and Fitzgerald did not describe what their protagonists looked like. Okay, but Dashiel Hammet did.

I agree that too much description can get in the way of the story. There is a lot of material for people to read, that communication of any kind must compete for an audience’s attention with so much more material than there ever was before, so we writers should always try to get as much information across as efficiently as possible — fewer words, more information. I get that.

Efficiency is the goal! (Photo: The Pug Father/Creative Commons )

But we do need to describe some things, some times. And occasionally, an adverb is the best way to do that. See?

Who says so?

Watch this space. Last week, children’s- and middle-grade author Roger Eschbacher opined about writing style. In future, other bestselling authors will weigh in on the subject. So watch this space, and leave lots of comments and questions for the guests, please. Maybe we can finally determine exactly what writing style is, after all.

A sneak peek and a big giveaway just for you



Do you remember songs that made you think, “This tells a story that would make a great book or movie”?

There are a few from my youth that made me think that. Songs with great music and lyrics that evoke a story that echoes in my mind for decades.

So I finally did something about it—I wrote Echoes, based on two of those songs from my youth, songs whose lyrics immediately gave me a plot and gripping scenes.

A new Lei Crime Kindle World novel—yes, this time it’s a full-length novel—featuring FBI Special Agent Vanessa Storm, Echoes will be published on Amazon on May 12.

And I’m giving you a free sample, and a chance to win not only the full book when it comes out, but all of the Vanessa Storm e-books:

Torn Roots by Scott Bury

PTAS-800x500 Dead Man Lying - 529x800

What it’s about

Echoes is different from all my other books. Yes, it’s another Hawaii mystery featuring Vanessa, several characters from Toby Neal’s Lei Crime series, drugs, crime and action, there are several chapters that describe Vanessa as a young woman in her senior year of high school, and her first serious romance and her coming of age.

How to get your free sample

All you have to do is subscribe to my email newsletter, which comes out roughly four times a year so you won’t be drowning in Scott Bury emails. To do that, fill out the form at the top of the right-hand column of this blog and Click Subscribe.

Once you confirm your subscription, you’ll get a link that will allow you to download the prologue and first chapter of Echoes in the format of your choice: .pdf, .mobi (for Kindle e-readers) or .epub (for all other e-readers).

Of course, you can unsubscribe at any time—even immediately after downloading the free sample. But then you won’t get advance information about my new writing projects before everyone else, nor new contests and giveaways.

How to win four free e-books

Read the introduction and deduce which two rock songs from the 1970s Echoes is based on. There are plenty of clues in the text. Some of it is in the descriptions of Vanessa at 17, some of it in the depiction of her boyfriend and his homies. And some of it is in the dialogue, interior and spoken, of the characters.

There. That’s enough hints. Want more? Read the introduction.

When you think you’ve figured it out, send your response to me by email: contest@writtenword.ca. Every correct entry gets the four free ebooks, and one will also win a signed paperback of my first novel, The Bones of the Earth.

And if you have thoughts or questions about some of the hints, leave them in the Comments section.

Good luck!

 

What is writing style? Guest post by Roger Eschbacher



What is writing style? It’s an elusive topic, in many ways.

To help me chase down the essence of writing style, I’ve called upon some author friends for their opinions. First, we have Roger Escbacher, author of a number of middle-grade books, such as the Leonard the Great series,  Dragonfriend and Giantkiller, middle-grade/young adult fantasy adventure stories set in the time of King Arthur, as well as Undrastormur: A Viking Fantasy Adventure.

140d6-roger-portrait-small_dsc00275editRoger Eschbacher is also the author of two children’s books: Road Trip, and Nonsense! He Yelled, both for Dial Books. He is also a professional television animation writer who’s worked for Warner Brothers, Nickelodeon, The Hub, and Cartoon Network. His blog is The Novel Project, and his Twitter handle is@RogerEschbacher.

How would you describe your own writing style?

I would describe my writing style as cinematic. My goal is to describe the action, world and characters in my book in such a way that readers have a movie playing in their head as they read along. I think this comes from two places, the first being that I’m a television animation writer. In animation, one has to fully describe what is happening so that the artists can animate it. Detailed descriptions are required in my “day job.” Second, as a reader I’ve always preferred books written in that style. I love getting lost in the “brain movie” when I’m reading for pleasure. In general, SF/fantasy books tend to be written this way, which is probably why I read this genre almost exclusively.

Are there any authors whose style you admire? Do you try to emulate them?

Dragonfriend

I admire the writing styles of Neil Gaiman, J.R.R.Tolkien, Douglas Adams, J.K. Rowling, and Rick Riordan, to name a few. All of these folks are quite “cinematic” so I suppose that’s the reason why. Of those four, I’d say Tolkien would be the strongest influence. I love his command of the epic tale so much that I find myself rereading LOTR and The Hobbit every couple of years. Oddly enough, I try not to emulate him too closely for fear of coming off as a low-grade copy of a true master.

Are there authors whose writing style you dislike?

Oh, yes.

How important is your writing style to you? Are you happy with your style, or are there aspects of it you try to change during rewriting or editing?

My writing style is very important to me and I am happy with it for the reasons listed above. When I’m editing, I do my best to make the manuscript an exciting and easy read. My goal is to produce a page-turner — something that flows. I want readers to fly through the book and not get knocked off course by speed bumps and, as Elmore Leonard says, “the parts that readers tend to skip.”

How can readers identify your writing style? Are there particular words or kinds of words that you tend to favour? Sentence structures? Or is it more in the story, the pacing or the characters?

UndrastormurFor me, it’s all about story, pacing, and characters. Natural-sounding dialogue is important, too. I hope that readers would describe my style as fast-paced and exciting.

Do you think your genre imposes certain restrictions on writing style?

Not really. I tend to write “quest-y” stories and for me that’s liberating in that everyone expects that the hero and his friends will go somewhere, do a lot of stuff along the way, almost get killed but survive and make it home. The challenge is to tell a quest tale in a way that follows the expected rules but also continues to surprise the reader.

Do you think your audience responds to your writing style, consciously or unconsciously?

 Yes, I do. My favorite reader compliment on Dragonfriend was from a kid who said, “I can totally see this as a movie.” I smile every time I think of that.

How important do you think writing style is to an author’s commercial success?

I honestly don’t know the answer to this one.Giantkiller

Thank you very much, Roger.

Readers, let Roger and me know what you think. How important is a writer’s style? What do you like? What do you wish authors would stop doing? And does an author’s writing style affect your decision to buy or recommend a book?

Bringing history to life



As you, my faithful readers know, I recently published the third book in my Eastern Front trilogy about the experiences of my father-in-law, Maurice Bury, during the Second World War. Writing those three slim books took me more than 10 years. Not only because the story itself is dark and difficult, but also because it required a lot of research to get the details right.

ArmyofWornSoles-smallerUnderTheNaziHeel.jpgCover-WOOW-500x800 (1)

While there must be thousands of books and other sources about the Second World War, most of it, at least those in English, focus on the western part of it, with a British, American or, sometimes, Canadian perspective. There is relatively little in English about the Eastern Front, where Maurice was drafted by the Soviet Red Army.

My research for the books began with the subject, my father-in-law himself. While he had occasionally mentioned something about his time in the army, at one point in the 1990s I decided I would write a book about his story. So we sat down in his kitchen, and I took notes.

But before I could complete writing the book, Maurice passed away. Which meant that any information I still needed, I would have to find in other sources.

Trusting memory

When I began writing the story, I realized I would have to turn to history books for essential background information about the war, the politics, weapons, organization of the armies and so much more.

Maurice’s memory of his own experiences was excellent, but he did not remember the exact dates, nor the number of his unit. When he told me how he sustained his wound, he remembered the weather, the German fighter planes arcing in the sky. But he did not remember the exact date. I had to do some research to work out when the Germans got to Kyiv, and the extent of the fighting there in 1941.

I also had to research the weapons used. Maurice told me as a Third Lieutenant, he commanded eleven men in an anti-tank unit. When he described fighting against the German tanks, the Panzers, it seemed to me to require some precision. The shell had to hit the tank at just the right angle to penetrate the armour and detonate inside. The challenge was that the modern Panzers had sloping armour to deflect anti-tank shells. The Soviet tanks in the early part of the war, on the other hand, had straight armour, making it easier for an armour-piercing shell to strike at the right angle.

But I neglected to ask him to describe the Soviet anti-tank gun. When I came to write about it, I realized I had no idea what it looked like. The answer surprised me. I had thought of a kind of cannon, but the PTRS-41 and the similar PTRD were strangely delicate-looking. They looked more like long rifles with extended, slender barrels. My first thought was “That little thing can knock out a tank?”

Image source: 13thguardspoltavaskaya.com

It turns out, it didn’t manage to do that very often. The shells could not penetrate the Panzers’ front armour, so the Soviet anti-tank gunners would try to shoot at the sides or back of the tanks, where the armour was thinner. That was an extremely risky tactic, requiring the gunners to allow the Panzers to pass them before shooting.

Finding this information in historical sources brought me back to the notes I took when interviewing Maurice before he passed away. He once told me that his men destroyed a Panzer by shooting at the back, hitting the exposed fuel tank.

As a writer, this was a satisfying—to find confirmation of Maurice’s memories and stories in the history books and websites.

What’s your experience?

Have you ever found that kind of confirmation of a relative’s or friend’s memory or story in an official or historical reference? Share that in the Comments.

Launch day: Walking Out of War



Source: Nasa

Today, the third book in the true-life trilogy about my father-in-law’s experiences in World War 2 launches on Amazon. That’s right: Walking Out of War is now available for sale in both e-book and print formats.

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And in celebration, you can get the other two books in the trilogy at reduced prices.

And if you want all three books for free, come to the launch party on Facebook from 5 to 9 p.m. Eastern time on Wednesday, February 22. Prizes include:

  • e-book copies of all three volumes in the trilogy
  • signed paperback copies of each book
  • a $25 Amazon gift card
  • and the grand prize—a complete set of all three books in the Eastern Front trilogy, personalized and signed by the author (that’s me).

There’s no fee to get in, but there will be skill- and knowledge-testing questions, as well as a live chat and lots of fun.

See you there!

A new book walks closer



Cover-WOOW-500x800 (1)Walking Out of War, the third book in the true-story trilogy about Maurice Bury, the Canadian in the Soviet Red Army in World War two, launches in two days. I’m excited. It’s already received three excellent early reviews that you can read on Goodreads. and I’m giving you another free taste of what’s coming.

There are going to be several special online events on and around launch day:

  • Army of Worn Soles, the first book of the trilogy, is FREE on Amazon from February 21 to 25.
  • Under the Nazi Heel, the second book, is on sale at 99 cents for the same period.
  • launch event on Facebook will feature giveaways of electronic and print books from the trilogy as well as other works.
  • A blog tour will feature excerpts and images from Walking Out of War. Watch this space for details and links.

And now, your taste of Walking Out of War:

Donbass, summer 1944

“How did you learn to break down a rifle so quickly?” the drill sergeant asked.

“I grew up on a farm,” Maurice answered. “You have to have a gun on a farm.”

“A shotgun, yes. Not an automatic rifle. I come from a farm, too,” said the drill sergeant. He was a small man with a round face and earnest brown eyes.

Maurice shrugged, hoping the sergeant would not hear his hammering heart. “I guess I’m just a fast learner.”

The sergeant’s eyes narrowed, but he moved on to the boy beside Maurice, who was fumbling with his weapon. “Get that magazine back together in the next sixty seconds or you’re on double guard duty tonight!”

I have to be more clumsy. And more careful, at the same time, Maurice thought.

Compared to his experience as an officer three years earlier, this training camp for soldiers was brutal. In August 1944, the Red Army had reached the outskirts of Warsaw and was within sight of the Gulf of Riga. They had pushed the Germans out of Russia, Ukraine and Belorussia and were throwing every man they could find into the drive to destroy Hitler’s Germany.

In June, the Red Army had launched Operation Bagration. Two million men, thousands of tanks, heavy assault guns and airplanes, attacked in a coordinated series of attacks along a front that stretched from Estonia to Romania, accompanied by 220,000 trucks from the U.S., with tanks and guns from Britain, tonnes and tonnes of food and ammunition from the West. In two months, they pushed the Germans out of Belorussia.

The Soviets annihilated the German Army Group Center. Hundreds of thousands of German soldiers were killed, wounded and captured, including thirty-one generals—a quarter of the German strength on the Eastern Front gone in two months.

The Red Army’s losses, while not as severe, were still huge: 800,000 casualties, including over 180,000 killed and missing.

What Walking Out of War is all about

Ukraine, 1944: After the Soviets burned the Ukrainian city of Ternopyl to the ground to crush the stubborn Nazi occupiers, they rounded up every remaining Ukrainian man around for the Red Army’s final push on Germany. Maurice Bury, Canadian citizen, Ukrainian resistance fighter and intelligence officer, is thrust once again into the death struggle between Hitler’s Germany and Stalin’s USSR.

Fighting across the Baltics in the autumn of 1944 is tough and bloody. Then the Red Army enters Germany, where they’re no longer liberators—they’re the long-feared Communist horde, bent on destruction, rape and revenge. The Communists are determined to wipe Nazism from the face of the earth. And the soldiers want revenge for Germany’s brutal invasion and occupation.

Maurice has determined his only way out of this hell is to survive until Nazi Germany dies, and then move home to Canada. But to do that, he’ll have to not only walk out of war, but elude Stalin’s dreaded secret police.

What the early reviewers are saying 

“Full of heart and indomitable spirit”—Joy Lorton 

Walking Out of War is a well-written and powerful read, and a difficult one. The violence and war crimes are startling, and Bury, being a master at his craft, effectively paints mental pictures. He doesn’t linger on vile acts, however; he isn’t gratuitous. But he is a vivid writer and skilled at choosing the right verbs and adjectives to bring his prose to life, where the reader can visualize scenes as if watching them on film. “—Elise Stokes 

“A very compelling read.”—Frederick Brooke 

You can pre-order Walking Out of War for a special price until launch day.

Walking Out of War: the countdown begins



Walking Out of War, the third book in the true story trilogy about the wartime experiences of a Canadian in the Soviet army, launches on Febraury 22—a little more than a week from now. You can pre-order it for a special price, exclusively on Amazon, and it will download to your Kindle account automatically.

In the meantime, here’s a taste:Cover-WOOW-500x800 (1)

The Red Army returns

Nastasiv, Ukraine, August 1944

Maurice stepped outside onto his mother’s front doorstep. He lit a cigarette, drew a lungful and turned his face upward. He closed his eyes to exhale and savoured the feeling of the sun on his face. It felt like the first day of peace after his nightmarish journey from Kalush.

We have to find somewhere else for Maria to stay. People will notice two extra residents in this house, and we don’t want anyone to ask questions. 

The air smelled sweet with hay and growing sugar beets. He looked out at his mother’s fields. They’re doing well, he thought. We’ll have a good crop this year. He crouched, digging his fingers into the rich black soil. He pulled a few weeds out from between the beets.

He stood again, leaned against the fence and closed his eyes. How much longer will this war last? Germany lost the war in 1941, when they stopped outside Moscow and Leningrad. Now they’re gone. And now, Ukraine has to fight Stalin’s USSR to be free.

The Soviets had pushed the Germans out of almost all Ukraine by the end of spring. In June 1944, they had launched Operation Bagration, which had swept the Germans out of Belarus and pushed them away from Leningrad. By August, the Red Army was on the Vistula River in Poland, and the Polish Home Army was fighting the Germans to control Warsaw. Meanwhile, the Americans, British, Free French and Canadians were penetrating deep into German-occupied France. Germany won’t just surrender, though. Hitler is too stubborn.

Maurice wondered about Ukraine’s chances of independence from the USSR. It would be a political question, he knew, dependent on the will of the countries of the West.

And Poland. A free Poland will claim western Ukraine, Russia the east.

Maybe I should go back to Canada when this is over.

Something clamped his left arm, and then something else grabbed his right. He looked up and felt cold terror when he saw the red stripes on the uniforms on the men holding him by the arms: NKVD, Stalin’s political police.

“Come with us, comrade,” said one as they pulled him toward a covered truck. They threw him in the back, where a handful of other fearful-looking young men sat on the floor under the watch of another soldier with a machine gun ready. The engine roared and the truck lurched. One of the young men fell face down as the truck jolted along.

Maurice knew what this was about. The Red Army needed more men to make up some of the incredible losses of men its victories brought.

Walking Out of War

Ukraine, 1944: After the Soviets burned the Ukrainian city of Ternopyl to the ground to crush the stubborn Nazi occupiers, they rounded up every remaining Ukrainian man around for the Red Army’s final push on Germany. Maurice Bury, Canadian citizen, Ukrainian resistance fighter and intelligence officer, is thrust once again into the death struggle between Hitler’s Germany and Stalin’s USSR.

Fighting across the Baltics in the autumn of 1944 is tough and bloody. Then the Red Army enters Germany, where they’re no longer liberators—they’re the long-feared Communist horde, bent on destruction, rape and revenge. The Communists are determined to wipe Nazism from the face of the earth. And the soldiers want revenge for Germany’s brutal invasion and occupation.

Maurice has determined his only way out of this hell is to survive until Nazi Germany dies, and then move home to Canada. But to do that, he’ll have to not only walk out of war, but elude Stalin’s dreaded secret police.

“Full of heart and indomitable spirit”—Joy Lorton, reader and reviewer

“A well-written and powerful read”—Elise Stokes, Goodreads

“A very compelling read.”—Frederick Brooke, Goodreads

Walking Out of War is available for pre-order now on Amazon.

Walking Out of War wraps up the trilogy



The long-awaited final volume in the trilogy recounting the wartime experiences of my father-in-law launches in e-book form on Wednesday,  February 22. You can pre-order it now from Amazon at a special discounted price.
Cover-WOOW-500x800 (1)

Walking Out of War follows up on Army of Worn Soles (2014) and Under the Nazi Heel (2016).

What’s it about?

Ukraine, 1944: After the Soviets burned the Ukrainian city of Ternopyl to the ground to crush the stubborn Nazi occupiers, they rounded up every remaining Ukrainian man around for the Red Army’s final push on Germany. Maurice Bury, Canadian citizen, Ukrainian resistance fighter and intelligence officer, is thrust once again into the death struggle between Hitler’s Germany and Stalin’s USSR.

Fighting across the Baltics in the autumn of 1944 is tough and bloody. Then the Red Army enters Germany, where they’re no longer liberators—they’re the long-feared Communist horde, bent on destruction, rape and revenge. The Communists are determined to wipe Nazism from the face of the earth. And the soldiers want revenge for Germany’s brutal invasion and occupation.

Maurice has determined his only way out of this hell is to survive until Nazi Germany dies, and then move home to Canada. But to do that, he’ll have to not only walk out of war, but elude Stalin’s dreaded secret police.

Pre-order for less

Walking Out of War will officially be available on Amazon on February 22 for just $2.99 for the Kindle edition. But if you order before midnight at the end of February 21, you’ll be able to get it for just $1.99.

Get it for free

If you’re willing to write an honest review (tell the world exactly what you think—no influence from me), I’ll send you an advance review copy (ARC). Just email contact@writtenword.ca and put “Walking Out of War – ARC” in the subject line, and I’ll fire back a copy as soon as I can. The only thing I ask is that you post your review on Amazon as soon as possible, and if you have a chance, post the same review on the Goodreads page.

 

VALENTINES DAY MENU HOP from the Lei Crime Kindle World



LCKW-blogHopValentine’s is just over a week away, and anyone who knows me, knows how seriously I take Valentine’s Day.

(A quick Valentine’s question: what do women want for Valentines?

  • chocolate
  • fine wine
  • flowers
  • jewelry
  • lingerie
  • dinner out
  • mushy card?

The answer is below.

But if you want to do something really romantic, consider a recipe from one of the most romantic settings in the world. That’s right, Hawaii. Today, the Lei Crime Kindle World authors are sharing great recipes with you, our readers—and giving you a chance to win a $170 Amazon gift card!

Hop on this blog tour!

Get to know each #LeiCrimeKW book and author, read their recipes, comment on the posts with your choices of Valentine’s menu items, like each authors page, and hop on to the next one! Click the link at the bottom of each post, to go to the next author.

Here is FBI Special Agent Vanessa Storm’s favorite Hawaiian recipe: Kalua pork, which means a whole pig roasted slowly in an underground oven. While there are dozens of recipes, here’s one from Kitchen Hui of Maui.

Image courtesy Kitchen Hui.

Here is a simple recipe for kalua pork with cabbage you can make in your home.

1. 4-5 lbs. of pork shoulder fat on
2. Hawaiian sea or Kosher salt, rubbed over the pork generously.
3. 4 tbsp.liquid smoke
4. 6 cups of water
5. Preheat oven to 375 deg. f.
6. In a roasting pan, deep enough, place the water in it, then place the pork in to the pan.
7. Spread liquid smoke over pork, then cover with foil, and roast for about 3 hours. Let it rest covered.

8. Take a small head cabbage slice it into 1/2 inch strips and half it, then stir fry it in some vegetable oil to wilt it. Then in the roasting pan, drain the liquid, then shred the meat, next add in the cabbage and mix it well.

Serve with rice either brown or white, and macaroni salad.

FBI Special Agent Vanessa Storm will be back in May in Echoes: A Lei Crime Kindle World mystery. Until then, you can follow her Maui adventures in:

  • TORN ROOTS—beauty and danger reign on Maui’s rainforest south coast. Vanessa Storm is at the centre of a tropical storm of environmentalists, real estate developers and a rogue Homeland Security agent.
  • Snowflake takes on a new meaning in Honolulu’s drug trade, and it’s up to Vanessa Storm to stop the killings—PALM TREES & SNOWFLAKES
  • She knows when you’re lying …FBI Special Agent Vanessa Storm is back on Maui to catch a killer in DEAD MAN LYING.

Hop on to the next author: Shawn McGuire!

Answer to the Valentine’s quiz:

All of the above.

Happy Valentines!